Monthly Archives: June 2016

Three Stories: UXLibs II Keynote

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Last year’s tote, this year’s badge.

UXLibs II, with hindsight, feels like it was always inevitable , but right after the exhaustion set in last year after UXLibs The First, there was no sense from anyone (outside perhaps of Matt Borg and Andy Priestner) that it was of course going to take place.  We even thought that if it did happen, it might be in two years (and possibly in Moncton).  I was really really pleased to find out that they were going to take the plunge, have a second event, and see what else could emerge from the UXLibs community this time.  A different event, with some of the same people, and with some new people, and with more things to talk about and explore.  

I was thrilled to be invited back to participate in any way.  I love the UXLibs team, the community they are building.  I want to hang onto the hope, drive, and positive energy they are bringing to our practices.  So I’ll put these words here, and look forward to hearing when and where we all get to be together again for UXLibs III.

Last summer, Ned Potter tweeted this to me:

When Ned introduced me to the UXLibs II group this year, and said out loud what he tweeted last summer, I smiled and was grateful to be in such a friendly room.

There are those who measure their success as an anthropologist by whether or not they are kicked out of the place they do their fieldwork.  I prefer to measure mine by whether or not I am invited back–I am so pleased to have been invited back.

I’d like to tell some stories.  And then we can think together about what they might mean.

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My mother’s back garden.

My parents live in Southern California, and they have been in this house since 1983. My grandfather, my mother’s father, grew flowers and fruit in his yard in Louisiana, where she grew up.  I remember visiting him and eating satsuma and kumquats off of his trees, admiring his tulip tree, taller than his house, and eating the marigolds (well, when I was very small) from around the lamp post not far from the swing set.  My family moved into the Southern California house when I was 13, to citrus trees, plum trees, one white nectarine tree (that fruit tasted like heaven) and a whole lot of other things my mother didn’t really like very much.  Since then she has been planting, digging, replanting, and this is what we have to show for it.

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These amaryllis came from my grandfather’s yard in Louisiana.

My mother’s gardening philosophy:   plant what you think might work.

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If it dies, there are two lessons to learn:

1) don’t plant that again

2)  PLANT SOMETHING ELSE

Picture4

 

Far too often, organizations just don’t plant anything else.  There needs to be an additional step–the reason they tried something in the first place was that they knew something needed to be done.  That situation hasn’t changed, even if the plant they tried is dead.  Plant something else!

One hazard of being in organizations within Higher Education such as libraries is there are people who’ve been around for so long that they remember all of the plants that have died–some of them keep lists!  And that list of dead plants can seem like reason enough to never plant anything new again.

An addendum from my mom:  sometimes, the plants die and it is your fault.  You didn’t water them enough, you put them in too much sun, or not enough.  The things you do always take place within a larger context–provide yourself with enough space to reflect so that you have a fighting chance of figuring out why things didn’t work.  And then still, try something else.

Ethnography can give people a window onto possibility, not just onto what has been done, or what people say they want, but what can be done, and how useful it would be.  Having a sense of the larger context in which you try stuff is crucial–this is what I keep talking about in libraries, not existing in isolation, but in a network.

The tracks of UXLibs II are Nailed, Failed, and Derailed.

Here is where I am a bit cross with you, UXLibs darlings:  I happen to know that there were far fewer Failed and Derailed submissions.  

I think I might know why, I think it’s  because of that word, fail, and even the sense that you got derailed, it’s hard to talk about that, it’s easier to talk about our successes, (that’s what I’m asked to talk about in my work, in my day job–what are we doing well?)  It’s easy and satisfying to get to stand up and say “We did a thing!  It’s great!  Yay us!”

And we should have those opportunities.  But I find conferences these days, especially library conferences, full of these kinds of self-congratulatory presentations.  But failure and derailment have the power to reveal processes, structures, possibilities.

 I’m so much more drawn to the Failed and Derailed parts of UXLibs II, because while it’s great to hear success stories–they are necessary beacons to our ambitions– it is to me more interesting and useful to hear the things that didn’t work out, or didn’t go quite as things planned.

For instance, my entire career, the whole string of reasons that I am here today, are because at a very important part of my life, I was utterly derailed.

To even get to the point where you fail, you have to have gotten the chance to try. So when your subjective experience of trying to effect change is not successful, what do you do?

What does “doing things” mean?  What do we mean by “action?”

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Portrait of the anthropologist in the field (far right, back turned).

Once upon a time I did fieldwork in Northern Ireland.  

I was doing cross-community work, and working in schools because I wanted to collect children’s folklore, and being embedded in schools was a safe way (for the kids and for me) for me to be in touch with them and talk to them and observe what they were doing when not in the classroom.  One school in particular was small, so small they did not have regular recess times, but just went out on the playgrounds when their teachers felt it worked with their schedule.  I sat with those kids over school dinners to maximize my time with them.   

One small boy in particular would tell me jokes;

“What do you call a man made out of cement?” 

“A wee hard man.” 

That punch line, which made my 8 year old friend laugh like a drain, was also real. This was a school that had a paramilitary mural painted on its side.  The “hard men” were these kids’ fathers, uncles, brothers, cousins, grandfathers.  

So there was a time when there were very few kids at school that day, for several days, and the reason that the kids were absent was because of a feud.  Not sectarian violence–that’s Protestant-Catholic.  Just violence.  Kids whose family members were involved in Loyalist paramilitary groups were staying away from town, everyone was hunkered down at home.

And I felt more useless than I had in my entire life (Note:  I’ve since felt more useless than that, but not by much).

So I took my feelings to the pub, to my friend Noel–a former social worker.  And he shared that the same feeling of uselessness had dogged him while doing social work.  And had in fact informed his move into doing an anthropology degree.  So he re-framed things for me.  While I had the sense that I “wasn’t doing anything,” my friend suggested rather that anthropology is not just doing something, but providing a platform from which to effect more change than direct action sometimes yields.  You can’t fix things.  But that doesn’t mean you’re not doing anything.  

People who work in libraries want to FIX THINGS.  I see this, they want to find problems to solve, and solve them.

But there are other things to be done once you gather this kind of information, the insights yielded by ethnography.  You can report, observe more, collaborate–there are so many different ways of approaching results, and not all of them involve coming up with a Fix for a Problem.  I wonder how we can effectively move away from that sort of solutionism.

Ethnography is not just about identifying problems to solve.  It’s about gathering different understandings.   We need to be up front about how qualitative approaches fundamentally change the ways we approach Doing Libraries. Centering our practice around qualitative data and analysis flies in the face not just of LIS, which is still deeply embedded in the quantitative, but also current entrenched practices in Higher Education.

This shift, it’s bigger than Libraries.  Libraries exist (as I have said before) in a larger context.

So it’s important to have a sense of what qualitative approaches such as ethnographic methods and perspectives can do in terms of informing new approaches and developing new practices.  

I’d like you to think about the rooms you’ve been in where they talk statistics, talk about all the things they don’t know, and cannot know from the numbers.  THERE ARE THESE OTHER WAYS OF KNOWING THINGS, they can help us get at the “whys” to figure out, that numbers cannot show.  

I recall a poster session at ACRL, where there was a librarian who had carried out a qualitative (interview-based) study, and had results, but was uncomfortable with her study’s “low N” and so she made meaningless bar charts to put on her poster. She told me this made her feel better about talking about qualitative results that she didn’t trust.  I see this so much, people being unsure about this unfamiliar approach and running back into the warm embrace of their bar charts and figures.

How do we get leadership to trust qualitative approaches?

How do we get our colleagues to trust us, as qualitative practitioners?

Your Methodology will not save you from the Culture of Libraries.  

This project, here within UXLibs, is not just about telling people how to do this work. It’s about getting people clear about why you would do this sort of thing in the first place.

This a core problem:  how do libraries, how do people in higher and further education make the argument for using these techniques instead of quantitative ones?  Or just as much as?  I’ve made arguments for mixed-methods libraries, but I think it’s actually more important to make an argument for qualitative libraries, because the default is still quantitative.  “Data” is still often in terms of how much, how many, with credibility expressed in terms of quantity.  “Let’s do a survey” feels safe.  That feels like communicating effectively with the Powers that Be, and with our users and communities.

It’s important to be clear that when we are asking libraries and higher education to take qualitative methods and data seriously, it’s going to be challenging.  Because it’s asking for:

–time

–resources

–risk-taking

–vulnerability

— and the de-centering of all-powerful quantitative data that SOUNDS SO AUTHORITATIVE.

It can feel like we are taking people’s numbers away from them when we insist that they should be talking to people about motivations and meaning.  We need to now make the argument that this isn’t simply “more” data or somehow window dressing for the “real” data that is still numbersnumbersnumbers.  We need to make the argument that what we learn from qualitative approaches is the stuff that can drive and sustain the kinds of changes that academia and Libraries need to make to be truly responsive and effective.

This is also not just about knowing particular research methods, but in being willing to try, to risk, to ask how to move from status A to situation B.

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Photo of my own copy of this book. http://www.goodreads.com/book/show/308290.Interpreting_Folklore

My PhD advisor, Alan Dundes, was a folklorist, one of the “young turks” of American Folkloristics in the 1960s, and he started off as a structuralist.  He was taught that the collecting and classifying of folklore materials (jokes, tales, songs, and all other manner of folk genres) was the core work of folklorists.  He swiftly grew weary of all of the collecting and classifying, the piling up of material in the absence of interpretation.  He became a Freudian, and remained so the rest of his career, alarming and annoying and infuriating as wide a range of people as possible with article such as “Into the Endzone for a Touchdown:  A Psychoanalytic Consideration of American Football.”

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He really didn’t care if you agreed with him or not.

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He wanted you to take a risk, make a case, say something interesting.   And if you were wrong, particularly if you were his student, he expected you to make a new case with other interesting things.  

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Hanging out in front of Inka cut stonework at Q’uenko, Peru. Photo by the Elder Teen.

I have been with archaeologists in some form or another most of my adult life.  My best friend in graduate school was an archaeologist (and she still is).  I am married to Indiana Jones.

And I witnessed this thing where people would go into the field over and over again, constantly collecting data.  Their presentations were full of counts and pictures and maps.  They would spend their entire time talking about their methods and data and leave no time for interpretation and meaning.  

But:

At some point, in applied work (like we are doing here at UXLibs, like I have to do in my work), it becomes necessary to stop collecting data, engage in interpretation, and start doing.  Changing. To become an active organization, not just a reactive one.  To do more than what is simply being asked of us, and gather and build a firm sense of who we are based on what we do, know,  and understand.

 

So, what does “action” mean?  It has to be more than band-aids, more than “the printer is broken/out of paper, fix it and put it back”  

Action can be:

–describing and interrogating organizational structures (a necessary first step to change)

–representing missing points of view (which can then have an impact on what happens next)

These are things that are not traditionally “actions” but that do have an impact. To be truly transformative, you need to point these techniques towards big picture holistic shit.  If this work is only ever about how you figured out what kind of furniture to buy, it’s not transformative.

Ethnographic techniques are doomed to produce just another bucket of data if we do not use them to their fullest extent.  I am therefore making a cultural argument, one that requires leadership.  Leaders need to be on board, and in the room (some of you were in the room with us at UXLibs, that’s so great).

Without the space provided by leadership, those transformations cannot happen.

What organizations allow for risk?

What organizations allow for change?

What does leadership look like in those organizations?

Is it only top-down?

[I asked the question]

Who in the room is on their library leadership team as reflected in the organizational chart?

[some hands]

Who in the room is a leader?  

[some hands]

It’s the whole damn room, that’s why you are participating in UXLibs!

What is important here is not leadership, but NETWORKED leadership–if we are collectively working we are more powerful at effecting change.  None of the work we are doing now with UXLibs II exists in a vacuum–much of it came out of UXLibs last year, but some pre-dated it, and there’s more stuff that’s not in this room right now.  I would remind you here that the unit of analysis in anthropology is not the individual person, but groups of people.  What UXLibs did last year was reveal the community of people working with these techniques and perspectives to each other.  We are stronger as the network.

Leading change isn’t going it alone, it’s finding and building your team and then changing things together.  Regardless of the organizational chart, regardless of institutional boundaries.

The most important kind of leadership is about creating space for change

Maybe leadership is also about creating space where “risk” is irrelevant–making it all about possibility.  It’s about having a much wider space to feel comfortable talking about where we failed, where we got derailed.  And to actually do the things that might fail, might not go quite as planned.

I am so proud of you.

Now there is more work to do.

Let’s do it together.

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My front garden, 2016.

The immediacy of context, initial reflections on UXLibs

https://twitter.com/DonnaLanclos/status/745954175763222528

 

I flew home from Manchester over the weekend, and this is not the first blogpost on UXLibs II to be written (and surely not the last). Before I get down my keynote in blog form I wanted to work through some thoughts that of course were inspired by the awful vote results on Friday June 24th.

When I helped open UXLibs II on July 23rd the energy in the room was high, and when I talked about larger contexts, I really had in mind (for the purposes of the room) the larger context of Higher Education, in my usual push to get people who work in libraries to stop thinking of themselves (and their Libraries) in isolation, but to see themselves as connected to broader networks of institutions and people (in similar ways to how users perceive and experience them).

I managed to forget for the moment that other argument that I and others have made about how academia exists in the larger context of society, and the world.  We are not living in a bubble, the world we live in is shot through our more local educational contexts.  In our very international room at UXLibs, on Friday morning, we were all reminded forcefully of the presence of the world and all of its troubles.

Brexit, should it come to pass, will be a tragedy.  The vote that has already happened has hurt and frightened and angered so many people, including people I love.  The vote has apparently encouraged racists to take license and assault their fellow citizens, and the vote has also apparently caught even those who campaigned for the Leave result off guard, so that there are no plans for execution, and leadership on all sides have gone home in shock and confusion.

If xenophobia + outward-facing = colonialism, then I think xenophobia + inward-facing = isolationism.

I had no standing on Friday to speak to what I wished to happen around the Referendum vote, it’s not my country as fond as I am of many of its inhabitants.  I can offer hugs and sympathy and hopes that should our vote in the US in November go similarly wrong, I might call on my friends for the same.   I have never had a chance to be a European, I am locked into my US passport and cannot offer my children alternative citizenships.  It has seemed to me a marvelous thing, this European experiment, that connected people across borders even as it was messy and imperfect.   I hope, I hope, it is not over.

I was reminded, on Friday, not just of the ever-present world in our conversations about libraries and academia, but also in the fundamental lack of importance of me as an individual.  UXLibs as a phenomenon has always, to my mind, been about the importance of the community, of collective action.  No one speaker, no one presentation, no one individual is important. But together, we all are.  As collectives of individuals, we matter in positive and negative ways.  Collective and connected action can be the antidote to isolationism, which does not serve people, libraries, or countries very well at all.

I will fight the impulse (in my country as well as elsewhere) for isolationism, because that is not what keeps us safe, that is not an interesting or constructive way to move through the world.

I want to live in hope, so I will choose to do so.

 

A Typology of Keynotes

Keynote image

Preview of the scene in Manchester the week of June 23 2016

Co-authored by that Lawrie Phipps , who is also responsible for the header photo.

The thinking for this post started with discussions we’ve been having with each other about keynote speakers, and keynote talks, inspired in part by recent blogposts and Twitter conversations with James Clay and Martin Weller (and others).   We are both doing several (separate) keynotes this spring, and have invitations to do some in the next academic year as well, and will also be keynoting together at UXLibs 2 .  As one of us is also a folklorist, and the other a naturalist (we will leave it to you to figure out which is which), the idea of a typology of keynotes eventually came up.  Here we approach typologies as tools for classifying materials, a necessary step before engaging in content analysis and interpretation.  

Folk narratives for example, can be divided into genres, and engaging with a typology of genres can be a first step towards analyzing the meaning behind the narrative.   Folktales are narratives that are fictions, legends are fictions told as true (or with a kernel of truth), and myths are sacred narratives told as true.  There is, of course, slippage among the genres, but using them as discrete categories can allow for discussion of the motivations behind the telling of tales.  When do people use fiction to make their point?  When does invoking the sacred matter?  Why make the choice to tell a fantastic tale as if it really happened to a friend of a friend?

We think we see the following types of keynotes.   We may or may not be judging them, even as we attempt a relatively “neutral” list of categories.

The Provocateur

Sometimes speakers are invited simply to get people to sit up and notice, and, ideally, push back.  The point is not to get people to agree, but to get them thinking and talking, and for the content of the keynote to outlast the talk, and carry on into the halls and the sessions of the conference, encouraging people to speak to, or against, or in some way connect to the themes explored in the talk.

The Campaigner

In education this type of keynote is most often associated with political or policy imperatives. Sometimes, something is happening and changing that is so important that you have to get the message out there, situations where a lot of senior people in a lot of different organisations and institutions know that their staff need to have an awareness of that thing.

There is a clear message that the speaker is trying to get across, and usually it will have wide ramifications across the sector. On the “campaign trail” the speaker will have the opportunity to refine and hone their delivery, while, through necessity, keeping the integrity of the message.

The Persuader

Whether it is the speaker who wants to persuade the audience, or the person who has booked the speaker; the persuader is there with an idea and a message. It’s on the continuum with campaigner, but lacks the hard edge political or policy imperative.

The Entertainer

This is a speaker whose strengths are known, to the audience and to the organizers, and it’s that known quantity that they want to bring to the event.  This talk can make people smile, or generate emotion in some way, but isn’t designed to provoke or profoundly upset. In some ways the content of the talk is less relevant than the show put on by this speaker.  

The Reporter

This keynote is about work that has been done, and its output.  This speaker is giving a sense of the project they carried out, a situation on the ground in a particular field of study or practice.  The point is not to persuade but simply to inform, and perhaps seek feedback or validation of results.  This can also take the form of a retrospective, where the speaker is invited to narrate the arc of a project, research agenda, or perhaps their entire career.

The Guru

The expert, the source, the philosopher who generated the idea.  The speaker is synonymous with the concept in question in the keynote, so indelibly associated with an idea that it is that person that you want, and if you can’t get them, you want them referenced by your Plan B speaker.  

The Seller

This keynote has something on offer, this speaker is doing more than persuading, they are selling a concrete thing. Caveat Emptor, this particular manifestation of keynote may slip into any of the others without the conference organised realizing. There are three sub-categories:

  • Service:  The speaker has a workshop, a consultancy, something that they would like you to pay for them to come in and run.  Their speech is designed to identify the situations or problems that would make such a service necessary, and ideally for audience members to realize that they really really need to bring the speaker in to run that service for their own place of work.
  • Self:  The speaker is selling themselves, their personal brand or style is why they have been brought in to speak.  As a conference organizer are paying less for the content and more simply to have them on stage at your event and hoping they will align with the content.  
  • Artifact:  This is generally a book, DVD or even blog, the product of work the speaker has done as a researcher or other kind of practitioner (see above:  Service).  This speaker uses their keynote as an advertisement for their book, giving a preview of the content and perspective so that audience members will want to have their own copy, or make sure their institution acquires it.

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In this breakdown of keynotes into types we’ve tried to allow for the reality that many talks (and people who give them) are doing more than one of these things. And, as with folktales, sometimes the motivation of the teller is not the same as the motivations of the listeners.

For conference organizers, think about what you’d like from any speaker.  Is it always what they want to deliver?  Is it always what they are asked to do, when invited to speak? If not, whose fault is that?  Conference attendees, what do you like to listen to?  Does the kind of keynote you think is on offer affect whether or not you will attend certain events?  What does the presence of any keynote speaker do to your perception of conferences?  

Do you have types you would include in this list? Do you have a favorite type?

Teaching, Learning, and Vulnerability in Digital Places: Library Instruction West 2016 keynote

https://twitter.com/DonnaLanclos/status/740916557736333312

I just got back from Salt Lake City yesterday.  I was and still am so pleased and flattered to have this invitation to speak to another group of librarians, another room of my colleagues inspired and challenged by the nature of instruction in and around libraries.  This was my third (out of four) big talk of the Spring, and it was also the one I wrote the last, the one I struggled with the most.  I knew I wanted to say something about vulnerability, but kept coming up against how to frame it, what was the point I wanted to make?  I think in the end I came up with a point, but I confess that it was mostly in the improv around my notes,  in that room this past Thursday morning, that it all came together (you can also see from the Storify ).  Those who were in the room with me may reasonably disagree, of course.

I should also thank before I continue the people who helped me think this through, whether they realized it or not:

@edrabinski  @davecormier

@tressiemcphd  

@slamteacher  @bonstewart

@jessifer  @AprilHathcock

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As an anthropologist who works in libraries, my fieldwork takes me beyond libraries into a wide variety of learning places.  And those learning places are classrooms, cafes, parks, Moodle, Facebook, and Twitter.  I spend a lot of time online and talking about being online, not just in my fieldwork, but in my academic practice.  

Online is a place.  It is not just a kind of tool, or a bucket of content, but a location where people go to encounter and experience other people.  Places, online and otherwise, are made things, they are cultural constructs.  Technology, and the places technology helps create, are likewise cultural constructs, and therefore:  Not Neutral.  They are human, they are made, they contain values.

I am not telling people anything that hasn’t been said before, but it’s worth repeating.

Libraries and Librarians aren’t neutral either.  

I see some Librarians try to position themselves as neutral, supportive nurturing helpers, and those who try this are not always good at conveying it.  I think the reason for that is that such neutrality cannot possibly be real–we are all human, we all have biases, we are not “objective” and pretending to be just allows us to deny our subjectivity rather than working through it.  

[at this point I asked the room:]

How many of you have ever been told,

“I have a really stupid question?”

[lots of hands went up.  Seemed like the entire room]

When people walk up and say, “I have a really stupid question,” It’s because they are preemptively signaling they are not comfortable yet.  They don’t feel safe.  So I’m wondering, how do we build, within libraries, and within education generally, places for people to feel safe?

And in thinking about places, I want to ask, where are librarians?  Where do you want to be?  Why do you want to be there? I am making an assumption here that If you are in online spaces, it is to connect, with each other, with students, (not because “it would be cool” please no not that). 

I think presence in those places signals that you care, and value connection, and want to create safe spaces.  How, then, does that affect practice?  How do we think critically about practices such that we can make places feel safe?

How do you become trustworthy?  Not as individuals, but structurally?  What makes it make sense for students or faculty to come to you?  To the Library?  Where else is the library?  Does the persistent question, “why don’t they come to us?” make sense if we are all supposed to be part of the same community?

What do you do to become part of your community?  What do you do that is trustworthy?

And, also, how do you come to trust the people whom you are trying to reach?

How do you find them?  How do you find out about what they are doing and why?  Because it can be difficult to trust people you do not understand.

And this, actually, is part of the problem I have with these notions of empathy as some sort of prerequisite to action, to connection.  I am troubled by the suggestion that you need to muster up empathy first before reaching out to students or faculty.  (Not that I am opposed to empathy, I’m a fan of it in my life and work)  Our students and colleagues are worthy of our respect, they have an inherent human dignity that means it is our responsibility to reach out, to try to connect, whether we have achieved empathetic understanding beforehand or not.

Perhaps, perhaps that empathy actually comes most effectively post-connection.  Empathy is not a prerequisite, but an outcome.

Some of the work I do in my research and practice might point a way towards understanding the motivations behind practices online.

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Visitors and Residents map, collected from one of the workshops we’ve conducted over the years. Visualizing practices, and online places, is a first important step towards understanding motivations to engage.

I have spoken and blogged before about mapping practices.  In research and in workshops we can get people to talk about where they are online and also how it makes them feel.  People feel about digital places in similar ways to feeling about physical ones–I’ve interviewed students who sigh deeply in dismay at the thought of their Facebook account, full of troublesome family members, or who smile in thinking about their Twitter community, configured carefully so that they can be who they want to be, feel how they want to feel, while in that place. 

Online behaviors are not determined by the venue.  Facebook is not always about what you had for breakfast, and Twitter is not always about politics.  Each of these places, all of the new and old online places, are about people, and choices.  So, mapping, as with the V&R maps, can show us where people are, but the important part is the conversations that are generated, about why they are there (or not).

I think about the emotional associations of institutional spaces, for example in usability studies of library websites revealing the embarrassment and frustration students can feel at not being able to wrangle the website.  In fact, they frequently blame themselves for the tech failure, apologize to us for our crappy websites.  They say they will try again, but when they are away from us, why would they go back?  Who voluntarily goes back to some place that makes them feel stupid?

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During the Twitter-based #digped discussion in mid-May, there was a discussion about how to make ed tech more human.  This tweet I’ve captured points to some of what I have been turning over in my head about digital and presence.

When thinking about instructional online spaces, I’d like to ask (and I’m far from the only one) how to make them human as well as positive?  How do we build in access to other people, and not just provide buckets of content?  Where are the people in your online learning environment?  Are they connected to each other?  In my experience, students find their human connections outside of the institutional learning environment–they are on Snapchat, on Instagram, in Facebook and Twitter.  So we should continue to think about the role of digital places, outside of institutions as  where connections happen.  

We need to continue to think about identity, and how it plays out online.  Where and how do we develop voices online?

I have been thinking the role of vulnerability–it troubles me lately, because I often see it approached in terms of personal vulnerability, of some sense that sharing your personal life at work is necessary, so as to give people a “way in.”

In my own practice, I’ve made deliberate decisions to share parts of my personal life, on Twitter, in my blog. I approach it as a political decision as much as anything, a result of what I think needs to happen around the representation of women as professionals and academics.  And things I’ve written can indeed be interpreted as a wider call for more people to be “personal” online, so as to be human, and therefore accrue  a different kind of credibility in the new academic spaces of the Resident web.

“Acquiring currency can be about whether a person is perceived to be vulnerable, not just authoritative, alive and sensitive to intersections and landscapes of power and privilege: As Jennifer Ansley explains, “In this context, “credibility” is not defined by an assertion of authority, but a willingness to recognize difference and the potential for harm that exists in relations across difference.” In other words, scholars will gain a form of currency by becoming perceived as “human”…rather than cloaked by the deliberately de-humanised unemotive academic voice. This is perhaps because the absence of physical embodiment online encourages us to give more weight to indications that we are assigning credibility to a fellow human rather than a hollow cluster of code. We value those moments where we find the antidote to the uncanniness of the disembodied Web in what we perceive to be indisputably human interactions.”

Lanclos and White, “The Resident Web and Its Impact on the Academy,” Hybrid Pedagogy, 08 October, 2015

Who is a scholar?  Who is a professor?  Who is a teacher?  The many paths we take now didn’t always exist, and there are indeed political as well as pedagogical reasons for revealing those narratives (as I have, in talking about mine).

But I wonder, how do you reconcile that with the narrative of “risky” online environments, and how faculty and students need to be “cautious?”  How do you balance the need for a kind of vulnerability with desire for “safety”–how is that possible?  What does “safe” mean?

What constitutes vulnerability online, and for whom?

Who gets to be vulnerable?  What does that mean?

Who is already vulnerable?  

“Risk-taking” is so often framed as a positive thing, especially when people in a position of privilege engage in it.  But when the intersections of our identity place us in more vulnerable categories, ones other than white, straight, male, cisgendered, middle (or upper)-class when does “risk-taking” segue into “risky?”  When do our human vulnerabilities get held against us?  This is about context–who is classed as positive risk-takers when they make themselves vulnerable, who is classed as “risky” and perhaps necessary to avoid, someone who makes people uncomfortable.

So, what price “approachable?”  How much do we strip ourselves of ourselves so that people are comfortable, so that we are not “risky?”

This, I think is the tyranny of NICE–I see this especially in libraries, wherein “approachability”  can be shorthand for “seems enough like me to be safe”  How do we create environments where unfamiliarity doesn’t have to feel risky?  Where “discomfort” isn’t a barrier to engagement or thinking?

How do we get a diversity of “safe” people into our networks, who do not discount us as “risky” in our vulnerabilities?

In particular i want to ask this question:

What does it mean when we ask Students to be vulnerable online?  How is it different if they are women?   Black?  White?  Brown?  LGBT+?   Fill in the category of your choice here.  

Because some of us show up more vulnerable than others.  Our identity is not just the categories and characteristics we self-identify with, it’s the boxes people try to place us in.  it’s involuntary vulnerability, the people we are perceived to be become a way to dismiss us, our expertise, our content.  Structural and personal vulnerability can’t be shaken off, and maybe we don’t owe anyone our personal vulnerability.  Maybe our students don’t owe us personal vulnerability.

Vulnerability doesn’t have to be personal.

I think about professors giving phone numbers out to students, back before social media ubiquity.  Choosing to give out home phone numbers, or even cell phone numbers wasn’t something everyone did, it signaled a particular approach to boundaries and the role of professors in student lives.  What is the online equivalent?  Is it friending or following on social media?  

I wonder what are other ways of being present and human to students without violating important boundaries yourself?  

I don’t think that kind of putting yourself personally out there is mandatory.  Personal narratives don’t have to be the default.  You don’t owe anyone your personal story.  And sometimes just your existence is story enough.

We do owe them professional vulnerability.  That way lies inclusion–for our colleagues and our students.  Professional vulnerability can model the kind of society that we want them to have.  We need them to be flexible, transparent, and to expect that from their professional and civic networks going forward.  

So what would that kind of professional vulnerability look like?

Libraries have traditionally expressed “service” in terms of seamlessness–systems that don’t need explaining, for example.  And from a UX perspective, that’s one thing. But in an instruction context, that’s problematic.  Seamlessness doesn’t signal a way in.   iPhones don’t tell you how they are made, they just expect you to use them.  How do we build educational environments, both digital and physical, that give people a way in?  In to the course,  to the library, to the discipline, to the University?

One answer might be in engaging with seam-y (“see me”)  practices and pedagogies.  Showing the seams, being open about how educational experiences and scholarly content are produced.  Academia is a made thing, we can show students the seams, and allow them to find their way in.  

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Seams showing how the locomotive cylinder is put together. Image from page 180 of “The Locomotive” (1867) Internet Archive Book Image Flickr Stream: https://flic.kr/p/ovuPbj

I see examples in many places.  Including the rhizomatic learning work coming from Dave Cormier. In his connectivist approach to education, he argues that:

“What is needed is a model of knowledge acquisition that accounts for socially constructed, negotiated knowledge. In such a model, the community is not the path to understanding or accessing the curriculum; rather, the community is the curriculum.”

“In the rhizomatic model of learning, curriculum is not driven by predefined inputs from experts; it is constructed and negotiated in real time by the contributions of those engaged in the learning process. This community acts as the curriculum, spontaneously shaping, constructing, and reconstructing itself and the subject of its learning in the same way that the rhizome responds to changing environmental conditions.”

Teaching a class where you admit that you aren’t quite sure where things are going, where you are clear in not knowing everything, that is professional vulnerability.  Instructors who construct their authority in the classroom around knowing everything, or at least knowing Way More Than Their Students about Everything, are at risk of #authoritysofragile, of that moment when it is revealed that of course we don’t know everything, and the authority is shattered.  We can avoid those shattering moments by never pretending in the first place to know it all.  Positioning ourselves confidently alongside our students as we explore things without being sure of outcomes, that’s powerful, that is seam-y, that is professional vulnerability.

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If you read this blog you’ve seen this map before. This workshop participant annotated her V&R map with arrows indicating where she wanted to move her practice, mapping the trajectory of the changes she wanted.

In the V&R workshops we conduct we ask people to annotate their maps, to show where they are willing to move and change, and even discontinue what they are doing.  The epiphanies that happen when people realize this thing they have been doing doesn’t serve them especially well can feel like admitting a mistake. These conversations reveal emotions that these places and practices engender, and those revelations are a form of professional vulnerability.  

Open practice is a kind of vulnerability that reveals the seams of academic work.  I am open in my own practice, in sharing rough drafts via Google Docs, in blogging half-formed ideas, in Tweeting even less formed ideas.  If you look at my blog from when it first started my voice was very different than what it is now.  I am never finished, my work is never seamless and complete.

What can we do in our own practices to create spaces where the seams of academia are visible?  Create places where our students can see how and where they fit?  The possibilities for our students finding where they can get in are contained in the spaces we do not fill with content, or cover over with seamless interfaces

The work of teaching and learning is challenging, and when we talk about seamlessness we are lying about what education is supposed to be.  The challenge is in doing the things we don’t know yet, and how will our students learn that if we do not?  If we do not model our own unformed and unfinished practices, how can they even know that is what happens?  How can they imagine themselves doing it?

Digital affords us different ways of revealing the seams, the mess of our academic projects.  We can, without revealing ourselves totally, still reveal process in a way that makes it clear that academia is a cultural construct, made by people not entirely unlike our students.  Tools and places are out there such as Hypothes.is ,GoogleDocs, Twitter, blogging platforms. Facebook groups, Instagram, Pinterest, ephemeral contexts such as Snapchat. The point is not the specific environment or tools, but in the possibilities to connect, and capability of revealing process along the way.  

We can highlight the importance of engaging in unfinished thoughts, in exploration.  Where a .pdf is seamless and a finished product, an invited GoogleDoc is seam-y and in process, perhaps never entirely done.

Libraries have a history of engaging with process, not just content.  Libraries are good at this, their particular area of expertise is in navigating, framing, and evaluating content (in its myriad forms). Open practice, professional vulnerability around the processes of academia, this is an opportunity for Libraries and Information Literacy and Library Instruction to shine. 

My friend and colleague Emily Drabinski writes marvelous things, and one of her latest, a co-authored piece with Scott Walter, “Asking Questions that Matterchallenges us to articulate not the value of libraries, but the values within libraries, coming out of libraries, of library instruction.  

So I want to end, as I usually do, with questions.  

What values are you expressing with your instructional approaches? How can you express them digital places?

What is the role of vulnerability for you?  How can you protect yourself, model protection for your students, and still achieve seam-y pedagogy?

What would that look like?